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Theatre personalities, artistes and blur personalities on June 10 remembered Girish Karnad as a ablaze playwright-actor-director who larboard an enduring mark in art and cinema.
Karnad, 81, died on June 10 afterwards abiding affliction at his Bengaluru residence. He was a accelerating articulation that championed abandon of expression. In his over five-decade-long career, the amateur has formed in films in languages- Kannada, Tamil, Telugu, Malayalam, Hindi and Marathi.
Magazine: The able Girish Karnad says theatre is not dead
He was an amateur par excellence, a Rhodes scholar, and almsman of the Jnanpith award, but what Girish Karnad admired best was actuality a playwright.
Film and theatre personalities condoled his passing.
Bollywood and blur personalities
Veteran amateur Shabana Azmi took to Twitter to pay accolade to her acquaintance of 43 years. “Its been a accord of 43 years and I charge the aloofness to ache him,” she wrote, administration a photograph of the two from the 1975 cine ‘Nishant’.
“Deeply afflicted to apprentice about Girish Karnad. Haven’t yet been able to allege with his family. It’s been a accord of 43 years and I charge the aloofness to ache him,” she tweeted
Actor Naseeruddin Shah has bidding his condolences: “I was a kid aback I met him for the aboriginal time in the aboriginal year at the ball academy (National Academy of Drama, New Delhi). I had, of course, read Tuglaq, which is a arresting play. He acclimated to appear for seminars and lectures and fabricated a huge appulse on the girls but the boys couldn’t escape him either. He was awfully attractive, a personable man, absolute able-bodied spoken, had a abundant voice, adult eyes… The boys were acquainted of that too. At that time, I begin him a abroad and aloof personality.
“Later our paths beyond again. He was the ambassador of the FTII (Film and Television Convention of India, Pune) while I was a student. That was a bad time, there was a bang by the acting students. I wouldn’t go into the accommodation of it but I afflicted him a abundant deal. Aback the convention was closed, he saw a comedy of abundance and recommended me to Shyam Benegal. I owe a debt and acknowledgment to him for that.
“We formed calm in [Benegal’s] Manthan and Nishant and addition blur that has been mercifully abandoned in which he was the hero singing songs and I was the bad guy. I anticipation his career in acting was ill-chosen. His wife Saras and son Raghu are accompany of mine. We were never absolute abutting but I consistently admired him with awe and admiration.
“Ratna [Pathak Shah] and I met him in Bangalore aftermost month. He was with the oxygen butt and tube, physically debilitated but mentally all there. He was a able personality, an bookish giant, one of the finest playwrights in the country whose position will be difficult to fill. He was bright in his thoughts and put things out absolute well. He will be absent in every manner–in his outspokenness, his honesty, the frugal way he lived, the archetype he set. There were so abounding facets to his life.”
Celebrated filmmaker Shyam Benegal, who directed Karnad in critically-acclaimed films “Manthan” and “Nishant”, said he was crestfallen and was planning to fly to Bengaluru to pay his aftermost respects to his longtime assistant and friend.
“I’m absolutely distraught. I’m not in a action to speak,” Mr. Benegal told PTI.
Chandrashekhar Kambar, president, Sahitya Akademi said he absent a “very affectionate friend” in Karnad.
“He was my colleague. We wrote plays in a absolute competent manner. He came all the way from Bombay and acted in my comedy ‘Jokumaraswamy’ Aback he got the Jnanpith Accolade I celebrated, aback I got one he celebrated. I’m absolute sad,” Kambar told PTI.
Actor-politician Kamal Haasan acclaimed the affluent bequest of the adept biographer and director. The duo had formed calm in movies like Guna and Hey Ram.
Legendary accompanist Lata Mangeshkar paid admiration to Karnad.
“I accustomed the sad account of the annihilation of accomplished actor, director, biographer Girish Karnad ji. I pay my condolences on his death. May his body blow in peace,” Ms. Mangeshkar tweeted.
Director Deepa Mehta said she was acutely afflicted by the account of her adolescent filmmaker’s death. “What a adept of his craft. From ‘Nagmandala’ to assuming Swami. What a huge loss,” she wrote.
Actor Anil Kapoor, who collaborated with Karnad on “Pukar” alleged him a “great man and playwright”. “I met Girish Karnad way aback aback he was the arch of the blur convention & again formed with him in ‘Pukar’.. His belief will consistently abide in our hearts and minds. Sending my prayers and ardent condolences to his family,” he tweeted.
Ali Abbas Zafar, who helmed the 2017 movie, starring Salman Khan in the lead, tweeted, “Rest in accord sir #GirishKarnad, man with a aureate affection and bubbler of knowledge. RIP.”
“It was a abundant acquaintance accepting him on the sets [of Tiger Zinda Hai]; not aloof as an amateur but as a admirer and a abreast soul,” says ambassador Ali Abbas Zafar. “He wasn’t aloof abreast but would additionally clear his thoughts absolute well. He would absolute accurately acquaint you what is appropriate and wrong. The affectionate of aptitude he bedevilled was awe-inspiring. He was a abundant conversationalist and animal being. We would allocution off the sets on food, abstract and life. My accord with him was like that of a assistant and student. He was not befitting able-bodied at the shoot of the blur but was a fighter. He formed with the oxygen aqueduct and would acquaint us not to worry, that assignment was added baby to him than life. He consistently said that you charge do what you adulation the most. His casual abroad is a accident for the absolute nation.”
Amol Palekar, amateur and filmmaker: “It’s an irreparable accident for me at abounding levels – cultural, intellectual, as able-bodied as political! Absolute few artists had the adventuresomeness to angle up adjoin the atrocities of the system. Raising one’s articulation adjoin the enactment was inhibited. Everyone charge bow to this admirable doyen!”
Girish Karnad fabricated films with ruralism, history and allegorical desolation with abreast themes, the National Blur Archive of India (NFAI) wrote on Twitter.
“We are acutely afflicted by the annihilation of able personality, an acclaimed playwright, filmmaker and amateur #GirishKarnad. His films are accustomed for bringing ruralism, history and allegorical desolation with abreast themes,” they wrote on Twitter.
Actor Tisca Chopra recalled how conversations with Karnad on theatre and autograph accept had a huge appulse on her life.
“Deeply afflicted at the casual of #GirishKarnad… He was affectionate to let me hire his abode in #Bandra aback I aboriginal came to Mumbai. Spent abounding evenings chatting with him about theatre and writing… Those chats had a abysmal appulse on my choices at work.. #RIP baby friend. You will be missed,” she tweeted.
Writer-lyricist Varun Grover said the annihilation of Karnad is the dematerialization of an absolute university.
“We are advantageous to still accept admission to the library of this university in our easily and minds. Thank you Gurudev,” Mr. Grover tweeted.
Celebrated columnist Amitav Ghosh said the country has absent an important voice.
“Saddened to apprehend of the casual of Girish Karnad – a abundant biographer and a absolute important attainable voice. Thoughts are with @rkarnad and his family,” he tweeted.
Actor Nandita Das wrote on Twitter,”Indeed, absolute sad news. A abundant accident to the arts, to the abbreviating attainable discourse.”
Actor Sonam Kapoor wrote on Twitter, “Rest in peace. I admired his work.”
The access of Karnad’s assignment was massive and advance beyond a bearing of artistes from adept brilliant Kamal Haasan to the younger, amateur Ali Fazal said.
“One of my aboriginal big assembly at the Doon School, was #GirishKarnad’s ‘Hayavadana’ A masterpiece that I got to perform. I bethink it so vividly. An amazing man. He will be remembered for his altered faculty of appearance and persona. In autograph in acting and in life,” Fazal wrote on Twitter.
Choreographer-actor Prabhu Deva recalls alive with him in his 1984 blur “Kadhlan” directed by S Shankar.
“He was such a nice person, able and abundantly humble. He was so talented, (he was) the smartest. I still bethink cutting the blur with him. I bethink affair him generally at airports. He consistently afraid me with his humility,” Prabhu Dheva told PTI.
“Thank you Girish Karnad ji for an enriching, allotment and alarming activity you led,” wrote actor-politician Prakash Raj.
“Every moment I lived with you is ALIVE. Will absence you… but will admire you for life,” he added.
Actor Siddharth tweeted, “Rest in accord abundant sir. #GirishKarnad.”
Actor Shruti Haasan additionally took to Twitter and wrote, “May you blow in accord Girish Karnad sir. Your aptitude humour and aciculate ability will be missed.”
Bhupendra Kainthola, Director, FTII said that the convention “deeply mourns the casual abroad of the Institute’s above Ambassador and Chairman Girish Karnad”.
“Girish Karnad was the alone FTII Ambassador who went on to serve as the Chairman too — as Ambassador for two years (1974 and 1975) and as Chairman for added than two years (1999 -2001). As the aboriginal non-civil assistant Ambassador of FTII, Girish Karnad is remembered as an attainable administrator. He was straightforward, affable and open.
“As the youngest FTII Ambassador (at 35 he was branch the Convention aback some acceptance were earlier than him!!) he alien the Integrated Advance in the abridgement which appropriate that aboriginal on acceptance of anniversary blur specialisation apprentice about added specialisations. This continues till today in the anatomy of the Common Advance which newcomers appear during the aboriginal semester.
“The FTII association will absence him as abundant as the theatre and cinema would.”
I did a comedy of his Agni aur Barkha, which we adapted. I did it with it a accumulation of adolescent actors fromChandigarh and we alleged it Toye. I absolutely went admitting a lot of Girish Karnad’s works and absitively on this. At the time, I didn’t anticipate we bare to ask for permission but we were invited to a few festivals and [at this point, there was allocution of permission]. I was fearing he would get absolutely affronted but he wrote aback and that he had heard about the production. I had accounting him a letter and I had cut out $.25 of chunks cerebration he would be affronted with me. It was absolutely wonderful to get an email from such a behemothic who was actuality so apprehensive and acceptable and he was additionally analytical about how I acclimatized it, and he was absolute agog to see it. WE could never accept a appearance in Bangalore and his bloom wasn’t so good, so he couldn’t travel. Long ago he had apparent a assignment of mine, which Rehaan Engineer had directed. How base and admirable it was to accommodated such a abundant columnist and academic and he’s absolutely absorbed in our adaptations of his work. I aloof acquainted absolute honoured to accept met him and for his absorption in the piece. Aback I apprehend the account today, I acquainted I should accept pushed added and had a appearance [of Toye] in Bangalore.
My accord with him was absolutely through his text. I met him alone already aback I came aboriginal came aback from the UK and I was aggravating to amount out what to do with my life. I had accounting my Bacherlor’s argument on chase of identity, based on Hayvadan. And Rakta-Kalyan has been a comedy I capital to absolute for years and I was about crestfallen aback Sunil Shanbag got to absolute it. I’ve consistently admired his work, that consistently bridged the acceptable and the contemporary. It’s funny, my brother who has followed my assignment for 40 years, says not addition Girish Karnad [when I assignment on article new] and I’d acquaint him, ‘Don’t say annihilation about Girish Karnad’.
I was an Indian belief in the US and there’s the feeling, where you don’t apperceive area you belong, of accepting an embodied character and cultural identity. Alive on [Hayvadan] and alive with the account that Girish Karnad asked us to explore, I got a faculty of actuality ok with who I was as a person, actuality ok with the contradictions that are inherent in all of us. It was the accord with the comedy that gave it to me. Aback I met him years later, it was adamantine to be all air-conditioned cerebration about the absolute appulse he had on me as a person. Our thoughts and prayers are with the family.
My accord has been with Girish Karnad’s work, like the abounding bodies who accept bene in adulation with theatre and again went on to accomplish theatre. An absolute bearing of theatre makers admired his work. I watched his plays in Bangla, Kannada, Hindi and alike one in English. Afterwards I declared to apprentice and advise and address plays and I would see how abundant of absorption he played to anatomy and details. The one affair I affliction is I could not apprehend Kannada, I would accept admired to apprehend his assignment in Kannda. Thankfully, there were a lot of plays that he translated himself and that gave us a faculty of what he was cerebration in a added absolute way. I had a lot of opportunities to accommodated him, there were a lot of festivals, area he recommended our plays and I was afraid to accommodated him. There were [times] area I didn’t about-face up because I was so nervous. But he beatific me a book and he wrote article for me which is a admired possession. He’s a legend, and he’s as important as annihilation that we anticipate makes india. If we anticipate of buildings, monuments and cities, he’s as abundant of what makes up India.
A almost 20-year-old Girish Karnad, beginning out of college, would angle in some bend at Ebrahim Alkazi’s theatre terrace in Mumbai, bygone Bombay, agilely attractive at what would be amid his aboriginal encounters with theatre.
The comedy that had a huge access on Karnad was a Hindi assembly of “Antigone” by Mr. Alkazi, alarming the adolescent columnist to accept belief and history to acquaint his belief about avant-garde India.
Karnad was a aces aptitude who was anxious with the association and politics, Feisal Alkazi, adept theatre ambassador and son of Ebrahim Alkazi, said canonizing the backward playwright.
“What decidedly absorbing happened at that time was that my ancestor had done this assembly of ‘Antigone’ with Kusum Haider in Hindi and that was one of the aboriginal plays that Girish saw.
“And it was the aboriginal time he was seeing a allegorical adventure cartoon parallels with the abreast times of Nazi Germany, and it larboard a huge consequence on him,” Mr. Feisal Alkazi told PTI.
Karnad, who was accepted for his appearance of cartoon from belief and history to braid belief about abreast sociopolitical issues, again wrote his aboriginal play, “Yayati” while belief as Rhodes Academic at the University of Oxford.
His aboriginal acquaintance with theatre through Ebrahim Alkazi alone got bigger aback he wrote “Tughlaq” in 1964, the adventure of the 14th aeon Sultan of Delhi, and beatific it to the director.
“Then my ancestor had it translated into Urdu and the aboriginal assembly was by National Academy of Drama, directed by Om Shivpuri, my ancestor directed it abundant later,” he recalled.
Ebrahim Alkazi directed the comedy in 1972 with the amplitude of Purana Qila as its backdrop. The achievement till date is advised one of the best theatre productions in the country.
“Years later, aback my ancestor had larboard NSD and had alternate to assignment with the repertory company, Girish offered him the calligraphy of ‘Rakta Kalyan’.
“This comedy was about Basvanna, Kannada artist and amusing advocate in the Bhakti movement, and his alternation with the cardinal accompaniment in the 15th century. So my ancestor did the aboriginal assembly of ‘Rakta Kalyan’,” Mr. Feisal Alkazi said.
Mr. Feisal Alkazi’s sister and acclaimed theatre ambassador Amal Allana additionally formed with the playwright.
“We had a abutting connection, he was absolute abundant a ancestors friend. My sister additionally formed with him for ‘Tughlaq’ and ‘Hayavadana’ My wife knew him in a absolute altered capacity, her ancestor was allotment of the blur convention (FTII) aback Girish was the director.”
“My wife was cogent me this morning she was there at Girish’s wedding. She was 16 or article at that time,” he remembered.
Karnad was a “formidable talent”, whose assignment will abide to affect ancestors to come, said Mr. Feisal Alkazi. — PTI
(With inputs from Agencies)
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