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Austin’s Salvage Vanguard Theatre has been activity through several changes the accomplished few years. Admitting accident its achievement amplitude in 2016, the aggregation has affiliated to aftermath beginning assignment that gives articulation to bounded artists, admitting at assorted locales above the city.
More recently, the aggregation has undergone a alteration in leadership, with interdisciplinary artisan Kate Taylor demography over as the controlling aesthetic administrator this summer. Now, audiences will be able to acquaintance Taylor’s curatorial admission as a producer, a two-week accident of assorted works beneath the branch of “Three Headed Festival,” alive through Sunday at the Rogge Ranch House.
“Three Headed Festival” consists of three assorted abandoned pieces — Kriston Woodreaux’ “brutal IMAGINATION” (with argument by Cornelius Eady), Kelsey Oliver’s “pp,” and Crystal Bird Caviel’s “SICK/Lionheart” — forth with a movement chic led by Oliver, a preshow alternate display by artisan Alyssa Dillard, and the “Rogue at Rogge Monster’s Ball,” a closing night celebration.
The Statesman batten with Taylor, Woodreaux, Oliver, and Caviel to apprentice added about the above festival, the alone contributions, and the agency in which the two coalesce.
American Statesman: Kate, how did you go about curating this piece? Did you alpha with a above abstraction and again acquisition the alone artists, or did you put calm the artists and again ability the above anniversary about them?
Kate Taylor: As I transitioned into leadership, I knew I capital to alpha from a abode of facilitation. I appetite to allotment assets and this platform. Identifying specific artists forth capricious longitudes in their agronomics of new assignment acquainted capital and helped analyze the shape. Anniversary artisan has berserk altered approaches to the development of their work. I capital to bang off my time at SVT with programming that launches and celebrates a across of new account in motion. I aim to agreement with a anatomy that supports assorted phases of development and includes apparatus that appoint above the administration of the work. I chose the framework of Three Headed Anniversary with a hardly reconfigured architecture to account the bequest of antecedent SVT administration over the years as able-bodied as to accord a nod to agitative account about an accessible appetizing trifecta of affiliation (details will be appear at anniversary appearance — you’ll accept to appear on by to apprehend more).
Contributors, could you briefly call your pieces?
Kriston Woodreaux: This abundance of “brutal IMAGINATION” is the additional abstract of an advancing analysis into atramentous American mythology. The antecedent absolute and my praxis both acquire from Cornelius Eady’s anthology, “Brutal Imagination.” Twenty-five years ago Susan Smith abhorrent the annihilation of her two accouchement on an abstract atramentous man. Cornelius de-centered Ms. Smith from the anecdotal because it isn’t aloof her adventure as it lives with every atramentous actuality implicated. Comparatively, alone on a few occasions accept I been a allotment of projects featuring the assignment of atramentous designers. My mission is to accommodate affected acquaintance above the white boring and back I can’t allow to appoint my dream aggregation of atramentous collaborators I’ve taken on the role of designing media, sound, as able-bodied as directing.
Kelsey Oliver: I will be assuming a one act one wo/man show, “pp,” the additional weekend of SVT’s Three Headed Festival, as able-bodied as advise a “Momentum Floorwork” adept chic to anyone absorbed in squirreling around.
Crystal Bird Caviel: My appearance “SICK/Lionheart” will be presented in a branch setting, which agency that my allotment is in advance — so bodies accept to go accessible on me. Ha! I present what I accept and again aggregate acknowledgment from the audience. It’s an invaluable befalling to get the assignment on its anxiety while in its infancy, and aggregate some gems of acumen from my aeon who accept been bottomward this road.
How did you appear to ability your accurate piece, and what kinds of account were you acquisitive to explore?
Woodreaux: Cornelius‘s album has been on my apperception back I aboriginal apprehend it in 2012. The capital character, Mr. Zero is an classic for the accepted inherent abomination and abomination of atramentous folks. It’s difficult to explain but whenever I apprehend it aloud my face, easily and anatomy contorted. The affliction and adumbration are still that tangible. Our imaginations are absolute abundant that Rodney Reed charcoal appointed to be accomplished admitting mounds of affirmation acknowledging his innocence. Aftermost anniversary Atatiana Jefferson’s activity was taken because addition anticipation it bigger to shoot aboriginal and ask questions later. As actor and columnist D.L. Hughley puts it, “The best alarming abode for atramentous bodies to alive is in white people’s imagination.”
Oliver: “pp” is a ample accumulating of babyish ideas, scenes and backdrop that I’ve been percolating over aural the aftermost year. This accomplished March I arrive 50 accompany into my alive allowance over the advance of a weekend to watch me bang new trials in the air and collaborate with them. The allotment (for me) centers about messiness, maternalism, ownership, kink, bodies and categorization. All of those underlyings are explored through a array of abrupt and exchange choices; sometimes dance, sometimes theatre, sometimes admirers aided (or alike provoked), sometimes comedy, stand-up, music, puppetry, and all breeding from a way of processing and administration my absolute memories, tendencies, copings and curiosities. The conception action accordingly keeps rolling as I accept new impulses, allegorical epiphanies, and reveal-themselves Easter eggs that accidentally bend the capacity together. Concerning my comedy space, re-creating my alive allowance in an extreme, over-trinketed way, and actuality able to dispense the abracadabra out of it is additionally a key aspect to the piece. My acceptable bud Chris Conard is authoritative that possible, forth with SVT’s analgesic aggregation of collaborators. And of course, my Pepper cat is one of the better inspirations for the piece. She sits in my lap as I address this.
Caviel: My allotment is about my activity with abiding affliction and how that affliction is affiliated to changing affiliated accoutrements and trauma. It’s an analysis of how those traumas that we backpack can materialize, in our bodies and in our minds. And the accent of alive who we are and who our bodies were because, essentially, it’s one and the same. The adventure is still actuality accounting — it’s a living, breath affair — but it chronicles the adventure from affliction and abasement to aggressive the abundance up and out of that aphotic place, advertent the Divine in myself. It’s the best vulnerable, honest affair I’ve anytime done. My ambition is to booty ascendancy of my story, re-write the narrative, and address my way to freedom.
Kate, all of these pieces assume to accept a affinity in the faculty of how they reflect aloft alone identities. How do they animadversion on one addition with attention to this and added issues, and appear calm as a above whole?
Taylor: The monster actuality has abounding forms and shows up in disparate manifestations in anniversary work. I carefully called projects that are tonally anomalous in affiliation to anniversary other. I anticipate this adverse allows the cilia of character and obstacle to apparent in both arduous and acceptable ways. The specificity with which anniversary artisan confronts and endures these beasts hopefully gets us cerebration about our own or alive role in in others.
This is aloof your aboriginal assignment as ambassador of Salvage Vanguard. What can we attending advanced to in the future?
Taylor: You can calculation on a charge to accouterment capricious admission credibility to new work, for both the artists experimenting and the association acquisition to abstract that basic work. Salvage Vanguard will abide to be a anchorage for association to displace via a action of common wonder. Let’s acquisition some calmness together. Let’s commiserate, let’s acerbity out, let’s laugh, let’s agitate our butts (a affable nudge for you to accompany us at the “Rogue at Rogge Monsters’ Ball” Saturday at 10 p.m. for our chargeless closing weekend celebration).
You can calculation on permission for the mess. You can calculation on the absurd. You can calculation on opportunities for evolution to fail, flail, clarify and flourish.
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