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My name is Kyle Hart, and I’m the architect of Rhino Camera Gear. In this post, I’ll be administration an attainable address for accumulation a real-time camera move with a time-lapse to actualize a simple blended afterwards accomplishing any rotoscoping.
Compositing has been about for ages, but it’s alone attainable to filmmakers with compositing programs like Afterwards Effects, and alike if you accept it (like me acknowledgment to Creative Cloud), you apparently accept no abstraction how to use it.
My ambition was to booty time blooper to addition level, while authoritative it simple abundant for anyone to do. We alarm it “time blooper compositing.”
Essentially, you abduction 2 clips, one absolute time and one timelapse. The ambition of this accomplished affair is to calmly actualize a blended draft afterwards accomplishing any rotoscoping (a assiduous frame-by-frame compositing method). Instead, we’ll use the contour for our key and alter the accomplishments with the time lapse.
Before we get into the adapt I appetite to lay bottomward some arena rules for accomplishing this well. Cutting a able contour can be difficult.
1. Wait for the sun to go bottomward absolutely so you don’t get any blaze and accomplish abiding you alone accept sky abaft your subject. If you accept baptize or area it’ll accomplish our key abundant harder.
2. You’ll accept about a 30 minute window to abduction your absolute time move depending on your camera. Back cutting with our A7s we accept about an hour back we can advance the ISO up so high.
3. Secondly, plan your agreement well. You’ll appetite to aces commodity with a beginning abutting abundant like a accumulation of rocks so you can see the motion and additionally accomplish abiding your accountable isn’t too far away. We attempt this rappelling attempt and it concluded up not actuality a abundant agreement back the braiding got keyed out and my contour was too baby to accomplish the attempt compelling.
Setting up the move is attainable in Rhino Motion. Application Actualize a move, set the continuance to the breadth of draft you want. About 10-15 abnormal is great.
After you abduction your absolute time draft bureaucracy your time blooper in Advanced Time Blooper and do the aforementioned move afterwards affective your camera’s position. Run the move over whatever breadth of Time blooper you want. We like at atomic 3 hours to get as abundant brilliant movement as possible.
Note: I about set my crop to 16:9 for this so it matches my photos and makes column easier. We’ve begin that some cameras accept a hardly altered acreage of appearance in photo and video mode. The 5D Mark II was decidedly off. If this is the case you ability accept to amplitude the accomplishments a little in post. Back cutting with the A7s it was absolutely the aforementioned acreage of appearance in both photo and video which fabricated alteration so abundant easier.
Ok, so we’ve captured all of the footage we need. Next, acceptation it to your computer. Adapt the RAW photos to your affection (we use Lightroom) and accessible up your editor. We’ll be in Adobe Premiere back it has all of the accoutrement we charge congenital in.
1. The aboriginal footfall is to annoyance in your footage and lay the the absolute time attempt on top of the time blooper shot. Trim your clips so they both alpha back the camera starts and stops moving. They should be according in breadth if you set your Continuance in Creative a Move and Playback Time in Advanced Time Blooper to the aforementioned value.
2. Next, we charge to basic it for keying so let’s go adapt the exposure. I like application three way blush corrector in premiere. We appetite there to be as abundant adverse amid the sky and the contour as accessible so let’s try to draft it out and drove the blacks at the aforementioned time.
3. Next, add blush key aftereffect to the draft and use the eye dropper apparatus to baddest the silhouette. Adjust the key altruism as aerial as accessible afterwards demography out the sky. Also, I like to add a bit of feathering to abate the bend which makes it attending added natural.Now it’s keyed out but we appetite to alter it so it removes the accomplishments instead of the silhouette. So, let’s add the approach alter aftereffect and accept the Alpha channel.
Here’s an angel of our furnishings in Premiere:
It’s that easy. We’ve absolutely edited some of these afore in a covering the morning afterwards the time blooper so it doesn’t booty abundant added than 5 account to cull it off. I’ve absolutely enjoyed capturing a few of these time-lapse composites and would adulation to see what you actualize with the idea.
Here’s this aforementioned tutorial in video format:
About the author: Kyle Hart is the architect and CEO of Rhino Camera Gear. He started his career as an allowance salesman afore falling in adulation with video and designing his own camera equipment. This commodity originally appeared here.
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